The study room is a space in every home that is only utilized for study or work. A study space should be comfortable, quiet, and warm. It should not feature any distracting factors, such as a television or a bed, to allow you to work or study efficiently and effectively. It should be subtle and beautiful in appearance. A study room must contain boards, whether they are chalkboards or cork boards, to help you keep track of your work and to make taking notes and reminders easier. If you are looking to buy painting online for your study room below are few themes that you must use:
1. Abstract
Abstract art is a broad and diverse creative style that has impacted several movements throughout history. Abstract art may be described as an art form that does not objectively or accurately portray visual reality, such as painting, sculpture, photography, or design. Abstraction is diametrically opposed to figurative art and anything that depicts a subject or object directly. Wassily Kandinsky, Piet Mondrian, Mark Rothko, Helen Frankenthaler, and Zao Wou-Ki are among the artists who have developed new abstract methods or used abstraction in novel ways throughout the previous century. Abstraction has been a foundation of modern and contemporary art since the early 1900s. Abstract art is still being explored in a variety of ways today, with numerous artists growing and enhancing this ever-evolving genre. Rather than focusing on the accurate portrayal or realistic reproduction of an item, abstract art examines non-objective aesthetic components such as shape, form, color, and line. Artists have employed abstract approaches to investigate themes beyond the canvas and our physical reality. Abstraction is sometimes perceived to have a moral component — a belief that was especially common in the late nineteenth and early twentieth centuries, when ideals of spiritualism, purity, and order influenced many artists and their work. Abstract painting, as opposed to literal and representational art, is an escape from reality and is greatly open to interpretation. Below is an artwork that you can buy as online paintings from Dirums.
The imagery in abstract art is non-representational, which is a key and important feature. It should be emphasized, however, that 'non-representation' might be mild, partial, or comprehensive. Take a look at the numerous ways abstract art may be portrayed stylistically: from Salvador Dali's surrealist dream-like works to Piet Mondrian's Neoplastic works to Jackson Pollock's powerful Abstract paintings. Abstraction has been studied and interpreted by artists in a variety of ways; the great number of abstract movements that have emerged over the last century demonstrates how broad and open-ended the genre is. As a result, we can only comprehend the distinctive aspects of abstract art by examining various trends and styles.
2. Non Representational artwork
Nonrepresentational art is frequently used interchangeably with abstract art, however, there is a distinction between the two. Nonrepresentational art is defined as work that does not represent or portray a being, place, or thing. Nonrepresentational art is the polar opposite of representational art, which is a picture of something. Instead of explicitly portraying anything recognised, the artist will employ form, shape, color, and line—essential aspects in visual art—to represent emotion, sentiment, or another notion. It is sometimes referred to as "total abstraction" or "non figurative art." Nonobjective art is linked to and frequently considered a subgenre of nonrepresentational art. The phrases "nonrepresentational art" and "abstract art" are sometimes used interchangeably to describe the same painting style. When an artist works in abstraction, however, they are distorting the perception of a recognised item, person, or location. A landscape, for example, is easily abstracted, and Picasso frequently abstracted people and instruments. Below is an example from Dirums an online art gallery in India.
Nonrepresentational art, on the other hand, does not start with an "object" or topic from which a different abstract perspective is generated. Instead, it is "nothing" other than what the artist intended and what the observer believes it to be. It might be paint splashes like seen in Jackson Pollock's work. It might possibly be the color-blocked squares found in several of Mark Rothko's works.
The beauty of nonrepresentational work is that it is up to us to interpret it and give it meaning. Sure, if you look at the title of a work of art, you could get a hint as to what the artist was thinking, but it is frequently just as enigmatic as the painting itself.
It is the inverse of staring at a still life of a teapot and knowing it is a teapot. Similarly, an abstract artist may utilize a Cubist method to break down the geometry of the teapot, yet a teapot may still be visible. You would never know if a nonrepresentational artist was thinking about a teapot when painting a canvas. While this subjective approach to nonrepresentational art allows the spectator freedom of interpretation, it is also what irritates some individuals about the style. They want the art to mean something, so seeing apparently random lines or flawlessly coloured geometric designs defies their expectations.
3. Representational artwork
Representational art, often known as figurative art, depicts things or events from the actual world in a way that is clearly recognised. A painting of a cat, for example, looks exactly like a cat– it is clear what the artist is representing.
As painters became less concerned with showing things exactly as they truly exist, Romanticism, Impressionism, and Expressionism led to the birth of abstract art in the nineteenth century. Abstract art occurs on a spectrum, ranging from work that is somewhat representational to work that is so far away from its true real-world look that it is nearly hard to tell what is being portrayed. Abstract art is inextricably linked to anything visible from the actual world. Nonrepresentational art is work that does not show anything from the actual world (people, landscapes, animals, etc.). Nonrepresentational art can merely display forms, colours, lines, and so on, but it can also communicate things that are not apparent, such as emotions or sentiments. This seventeenth-century figurative or representational art displays plainly recognised objects–ships, people, and buildings. However, during the eighteenth century, creative freedom was increased, leading to the birth of abstract art. Romanticism, Impressionism, and Expressionism were three movements that profoundly influenced the development of these. Below is a gallery painting by Dirums for the study room.
Abstraction in art denotes a departure from reality in the portrayal of images. Abstract art can officially refer to compositions that are generated (or abstracted) from a figurative or another natural source. (Some people also use this phrase to describe nonrepresentational (non-objective) art that is not based on figures or things.) However, in this class, we do not use the term abstract in this manner.) Picasso is a well-known artist who frequently employed abstraction in his paintings and sculptures: figures are frequently simplified, deformed, exaggerated, or geometric.
Representation usually requires some degree of abstraction—that is, the removal of one or more characteristics of the original. Even a fairly realistic painting of a person, for example, lacks some features that distinguish actual people: a painting is two-dimensional, whereas every actual person is three-dimensional; the surface of a painting is painted, but not the person; actual people have many pores and other marks on their faces that are missing (in whole or in part) in a painting, and so on. The portrayal of a person in a painting is generally sufficient for human viewers to recognise the figure as a person—though it appears that it is not adequate for most animals, who perceive merely a coloured canvas where people see a representation on the coloured canvas. When the degree of abstraction is so severe that the shape can no longer be recognised as a human shape or the shape of any recognisable object, the painting is said to be non-representational.
(In common language, such paintings are referred to as abstract, but this is deceptive because abstraction is a question of degree, and, as previously demonstrated, all portrayals are inevitably abstract—that is, to some extent abstracted from reality.) At one end of the spectrum is the actual item with all of its millions of attributes, and at the other end is a picture so abstracted that a depicted subject is unrecognizable; in between are all of the potential degrees of abstraction.
4. Sacred Artwork
Art has a long and illustrious history in India, dating back to prehistoric settlements in the third millennium. Almost every civilisation that has colonized the subcontinent for any length of time has left an indelible imprint on its culture and creative sensibility. So has every major religion that arose from its soil or came from abroad and stayed, and Hinduism, Buddhism, Jainism, and Christianity all had a significant impact on how the divine element was perceived and depicted in art. Over the course of its own evolution, each religion provided the artist with iconographic models that, over time, crystallized into a distinct argot of devotional iconography.
Consider that these decorative devices used in places of worship were once commissioned by kings and royalty and received enormous patronage from them; this is no longer the case, and with a lack of resources to create them and a market to sell them, these art forms will wither away in the voids of time. The only way to resurrect these dormant arts is to give them a fresh lease of life. The only way forward is to broaden their conceptions and provide them with a bigger playing field.
5. landscape artwork
A landscape painting or drawing refers to an artwork whose primary focus is natural scenery, such as mountains, forests, cliffs, trees, rivers, valleys, etc. The world is a magnificent creation. From arid deserts to lush rainforests, swollen oceans to gloomy skies, the planet is a never-ending source of inspiration for visual artists. Nature's palette may be found everywhere we look. Throughout history, artists have found limitless inspiration in nature's enigmatic beauty and the majesty of the earth's many landscapes. Landscape painters may express their view of the world in a number of ways.
They can be painted accurately to try to mimic nature as nearly as possible (such as my Fields of Gold pastel painting below). However, landscape painting does not have to be a recreation of a specific location. A landscape painting, for example, can be made in an abstract style, with the imagery imbued with a deeper spiritual significance. Landscape paintings are not only restricted to images of the terrain. Images of seascapes, cloudscapes, skyscapes, riverscapes, or cityscapes, for example, can be included (otherwise known as "urban landscapes"). Landscape paintings are works of art that show magnificent views of nature such as mountains, forests, valleys, rivers, and so on. The main theme of the artwork will always be a depiction of a picturesque vista. In addition to showing diverse landforms in paintings, depictions of seascapes, cityscapes, cloudscapes, and so on have been studied in the past. The sky and the effects of weather in diverse areas are two motifs that appear frequently in landscape paintings. The major thing that all of these -scape artworks have in common is that they are all centred on some form of setting.
Landscapes can be painted in the field or from photographs. Plein air is a French phrase that means "out in the open." The advantage of painting Plein air is that you can see the scene right in front of you. You are already engrossed and engaged in the beauty of the surroundings. However, there are advantages to working from an image as well. Working from images allows you to work in the comfort and privacy of your own studio, without relying on sunshine or the weather. You may also combine components from other photographs to create a one-of-a-kind composite scene. For instance, if you like a hill in one shot and a gnarly old tree in another, you may mix both into the same environment. Then, if you wish, you may add a flowing river in front of them.
Dirums is a great place to acquire online paintings for your study space. We are an online art marketplace that allows its purchasers to find images that appeal to their vision and immerses them completely in the hallucinatory adventures of artists.
